The Art of Japa (Michael Menager and Mic Clarke)

Mantra is likely older than language, sounds that were received by the rishis, poet mystics of the Vedas. It can be silent and internal, a form of thought that reveals more as one goes deeper into it. One meaning of mantra is “crossing over the mind.” How can a sacred sound take us beyond the incessant machinery of mind? Japa is defined as speaking mantra, a simple practice of devotional repetition of a name of God. We sacrifice self-reference and reorient attention to the Divine name. The world becomes magical as we enter into relationship with the sacred. Remembering God’s name is a practice suited to the age of Kali, when the world is in darkness. Ramnam (saying the name of Ram as a Divine expression) is really repeating the name of our own immortal self. Any name of God is equally good. Mantra removes distinction, judgment and separation. Ancient mantras that have come through revelation are empowered. A mantra can be a blessing force that invokes the living presence of a teacher who activated it. We can bring our mind back to a mantra, observing what is going on for us and remembering that help is available. Being present with others in distress and doing japa can create a chamber, a field or space where solutions emerge without trying to change or fix a situation. If we are like a hollow bamboo, the wind can come through us and play its tune. The name and reality of the name are inseparable. Japa is an experiential practice that can be done anywhere, at any time. Kirtan is devotional chanting that can create a field of sound, music, and heartfulness. Michael Menager is a musician, singer, author, and modern-day troubadour whose third album is titled Line in the Water. Mic Clarke is a writer, practitioner of Vedic astrology, and mental health social worker. Both live in New South Wales, Australia and are students of Lee Lozowick.